Medialität und Auratisierung: Zur Magie der Schrift in Paul Wegeners Der Golem, wie er in die Welt kam

Ulrich Johannes Beil

doi:10.1515/iasl-2017-0024

Medialität und Auratisierung: Zur Magie der Schrift in Paul Wegeners Der Golem, wie er in die Welt kam

Ulrich Johannes Beil

Research output: Contribution to journal › Review article › peer-review

1 Citation (Scopus)

Abstract

Like in other Expressionist movies around the First World War, writing plays a decisive role in Paul Wegener's silent movie The Golem: How He Came Into The World (1920). The article analyses the complex function of books, inserts and other written documents in the film, points out their medial aspects and exposes in this context also presence effects and moments of self-referentiality.

Original language	German
Pages (from-to)	506-527
Number of pages	22
Journal	Internationales Archiv fuer Sozialgeschichte der Deutschen Literatur
Volume	42
Issue number	2
DOIs	https://doi.org/10.1515/iasl-2017-0024
Publication status	Published - Nov 2 2017
Externally published	Yes

All Science Journal Classification (ASJC) codes

History
Literature and Literary Theory

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10.1515/iasl-2017-0024

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abstract = "Like in other Expressionist movies around the First World War, writing plays a decisive role in Paul Wegener's silent movie The Golem: How He Came Into The World (1920). The article analyses the complex function of books, inserts and other written documents in the film, points out their medial aspects and exposes in this context also presence effects and moments of self-referentiality.",

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Medialität und Auratisierung: Zur Magie der Schrift in Paul Wegeners Der Golem, wie er in die Welt kam

Abstract

All Science Journal Classification (ASJC) codes

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